Base
Camera profile (log or Rec.709), exposure, temperature and tint, calculated for you. Correct it if needed.
09 · HyperColors · Beta
Cinematic color,guided.
A base correction, looks adapted to your footage, and everything applied with Lumetri Color.
Reads a real frameMatch to a hero clipLooks adapted to your shotLoads into LumetriBeta
OriginalGrade
Clean naturalTeal & orangeGolden hourNordic coldBleach bypassBlack and whiteFilm printTungsten 500TPastel EternaVintage 16 mm
Illustrative animation. Pause it with the button at the bottom right.
The problem.
Sound familiar?Ten clips, two cameras, one too blue.
Ten clips from two different cameras, one overexposed, one too blue, and the client wants “a film look”. If you are not a colorist, matching them and giving them character is trial and error in Lumetri.
Select the clips, or an adjustment layer, and press Read selection: HyperColors analyzes a real frame of each one, on its own, without texts or layers on top.
What it does.
Base, hero, look, and apply.
Hero
Mark the reference clip and press Match to hero: the others move closer to it.
Look
Ten looks adapted to your frame, with intensity, contrast, saturation, split, density and fade. Or AI recommendation: the AI looks at the frame, picks a look and values and tells you why, without touching the clip.
Clean naturalFilm printTeal & orangeTungsten 500TPastel EternaGolden hourNordic coldBleach bypassVintage 16 mmBlack and white
External LUT
Optional: blend your own .cube, separating its contrast and its color.
Apply, with Lumetri
HyperColors bakes the base and the look into a .cube LUT and loads it into Lumetri Color, on the input LUT. Apply to clip, Apply to all (each with its own base) or To selection, for example an adjustment layer over your clips. Turn off and On keep the grade without deleting it.
The viewer
Switch between Grade, Original, False color and Skin, with an RGB waveform and a vectorscope with the skin-tone line. Hold on the image to see the original.
Work flows.
One job: two cameras, one look.
Workflow 1
Two cameras, one look
Drag over the animation to compare. In Premiere the look is baked into a LUT and goes to Lumetri Color.
- 01
Read the clips
Select the clips from both cameras and press Read selection.
- 02
Mark the hero
Pick the best shot, press Mark hero and then Match to hero.
- 03
Pick a look
Try AI recommendation or choose a look by hand, like Teal & orange.
- 04
Apply to all
Apply to all: the same look on every clip, each with its own base.
Better together.
Color is the last pass, so it pairs with whatever comes before.
Good to know.
- It is in beta
- It works, and it keeps growing with what we see on real projects.
- Watch out for a double grade
- If you put the look on an adjustment layer and the clip underneath already has its own, it applies twice. Select one and press Turn off.
- AI recommendation uses your AI
- The base and the looks run without it.
- The comparison above is a simulation
- It runs in your browser. In Premiere the look is baked into a LUT.
The other eight.
Same panel, same license. Every tool works on its own and hands off to the next.
01
HyperChat
Edit by typing: one-cut summaries, topic clips, multicam podcasts.
02HyperText
Captions you don’t have to redo, and text you can animate by hand.
03HyperCaptions
Animated captions inside Premiere, line by line and editable.
04HyperAudio
Clean the voice, split the music, cut silences on the waveform.
05HyperTracker
Make text follow whatever moves, or stabilize a shot.
06HyperGrid
Split screens from your clips, without doing the math.
07HyperTools
The one-click buttons Premiere is missing.
08HyperSFX
Your own sound library, placed right on the hit.
Nine tools.
One license.